You are currently browsing the Willis Who? weblog archives for the day May 9, 2008.
May 9, 2008 by Willis.
Nice change of pace for snoop, a song with nice meaning. Should do well. 8/10
Posted in New Tracks - Hip Hop | No Comments »
May 9, 2008 by Willis.
“All I Feel” repeats alot throughout the song, however the lyrics are decent. Should do alright. 7/10
Posted in New Tracks - R & B | No Comments »
May 9, 2008 by Willis.
Fat Joe adds a nice verse to the track, and i like him and diddy going back and forth. On another note, i’m surprised this song hasn’t gotten more plays. 8/10
Posted in New Tracks - R & B | No Comments »
May 9, 2008 by Willis.
I’m really surprised you don’t see more crossing of genre’s like in this song. I like this combo, and i dig the song. 8/10
Posted in New Tracks - Hip Hop | No Comments »
May 9, 2008 by Willis.

“This London-based crooner emerged in the early ’00s as the face of Britain’s 2-step scene, but on his fourth full-length Craig David doesn’t sound tethered to any one sound in particular: In opener “Hot Stuff” he channels disco-era Michael Jackson over a sizable sample of David Bowie’s “Let’s Dance”; “Friday” has an old-school funk flavor; “Don’t Play With Our Love” rides a tasty Latin-jazz groove, in a nod to Havana, where the album was recorded. Though Martin Terefe’s production features loads of ear-tickling detail—check out the furious horn chart in “6 of 1 Thing”—David’s strongest vocal performance comes in the CD’s most stripped-down cut, “Just a Reminder.” It’s perfect for Robin Thicke fans worried that Thicke’s upcoming disc won’t include another “Lost Without U.”—Mikael Wood”
Posted in New Album - R & B | No Comments »
May 9, 2008 by Willis.

“Best-known for such ’90s-era hits as “Breakin’ My Heart (Pretty Brown Eyes)” and “U Send Me Swingin’,” Minneapolis-bred Mint Condition returns with a studio follow-up to its last outing—2006’s tasty performance set “Live From the 9:30 Club.” It’s a treatise on life in the digital age with a principal lesson: The issues predating our computerized world—love, trust, family concerns—still remain. Mint Condition couches its perspectives in catchy R&B, hip-hop, funk and jazz rhythms and meaningful lyrics that resonate after the CD stops playing. A case in point is “Baby Boy Baby Girl,” an ode to fatherhood fashioned around an infectious downbeat and Anthony Hamilton’s down-home vocals. At a time when self-contained bands are a rarity, Mint Condition shows it still has the goods. —Gail Mitchell”
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